Scope shifted
“Scope” cinema used to be 2.35:1; it settled on 2.39:1 after the 1970s to reduce splice marks on film prints.
Edit either pixel field. The other side updates instantly using the current ratio. Use even numbers for codecs like H.264/H.265 to avoid padding.
Exact ratio:
Aim for mod2 or mod4 to keep chroma subsampling aligned.
Choose 9:16 or swap the ratio numbers to turn widescreen into vertical instantly.
| Label | Resolution | Ratio |
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This aspect ratio calculator helps you match widths and heights so your images, videos, prints, and monitor layouts fit without stretching or unwanted cropping. An aspect ratio describes the relationship between width and height, like 16:9 for widescreen video, 3:2 for many DSLR photos, 4:5 for portrait social posts, or 21:9 for ultrawide monitors.
The idea is simple: if you know the ratio and one dimension, you can calculate the other. For example, a 1920 pixel wide video at 16:9 will be 1080 pixels tall, while a 9:16 vertical clip that is 1080 pixels wide will be 1920 pixels tall. The preview changes shape as you edit, so you can see the difference between square, vertical, widescreen, photo, print, and ultrawide formats.
Use the deliverables table as a quick reference for common resolutions like 1280×720, 1920×1080, 3840×2160 (UHD), 1080×1350, 6000×4000, 2560×1080, or 5120×1440. This is especially helpful when a client requests “4K,” a print crop, an Instagram portrait, or an ultrawide wallpaper and you need to confirm the exact dimensions.
Real-world use cases include resizing a YouTube thumbnail, preparing Instagram or TikTok posts, planning a film deliverable, cropping a DSLR photo, making ISO paper artwork, or creating a wallpaper for an ultrawide gaming monitor. If you are exporting for video, it is often best to use even pixel counts to avoid encoder padding. If you enter an odd number, rounding to the nearest even value usually prevents alignment issues with common codecs.
Everything runs locally in your browser, so it is fast and private. Once the page is loaded, you can use it offline, which makes it handy on set, in a classroom, or while traveling. The goal is to give you an accurate, easy way to calculate aspect ratios and dimensions so your final output looks exactly as expected.
“Scope” cinema used to be 2.35:1; it settled on 2.39:1 after the 1970s to reduce splice marks on film prints.
Square and 4:5 assets occupy more screen space on mobile feeds, which is why many campaigns avoid pure 16:9.
9:16 is just 16:9 rotated—swapping width and height in the same ratio gets you there instantly.
Using even pixel counts prevents chroma-subsampling alignment issues in H.264/H.265 and avoids encoder padding.
DCI 4K is 4096×2160 (1.90:1) while UHD is 3840×2160 (16:9). Double-check which one clients mean by “4K.”