CD math still rules
One minute of 44.1 kHz, 16-bit stereo PCM is about 10.1 MB—a 74-minute CD album is ~750 MB of raw audio.
Tip: Flexible text duration overrides H/M/S when valid.
Set your expected take length. For example, 1 hour at 24-bit/96kHz stereo is roughly 1.93 GiB.
The core math is linear PCM: sample rate × bit depth × effective channels ÷ 8 = bytes per second. Effective channels are either your selected channel count (single-file mode) or channels per track × track count in multitrack mode. Total bytes are bytes per second × duration, plus optional WAV overhead when enabled. Results are then shown in either binary (MiB/GiB, base-1024) or decimal (MB/GB, base-1000) units.
1:30:00, 90m, or 5400s.One minute of 44.1 kHz, 16-bit stereo PCM is about 10.1 MB—a 74-minute CD album is ~750 MB of raw audio.
Recording 24-bit, 48 kHz stereo chews ~0.27 MB/s, so a single gigabyte holds roughly 62 minutes of takes.
At 32-bit float, 192 kHz, 5.1 (6 channels) you burn ~264 MB per minute—great headroom, but pack extra drives.
Eight channels at 24-bit/96 kHz stream around 2.2 MB/s; a 64 GB card nets just over 8 hours of 7.1 beds.
PCM has a fixed size—recording “silence” costs the same as loud passages, unlike compressed codecs that shrink quiet parts.
1:30:00, 90m, 5400s).This calculator helps you decide how much storage to bring to a session before the first take. By plugging in sample rate, bit depth, channels (or multitrack counts), and duration, you immediately see projected size, per-minute usage, and stream data rate. You can view results in binary or decimal units, compare two scenarios side by side, and add planning buffer for safer media budgeting.
We do not collect or transmit any data. Everything runs locally in your browser, which is handy on remote locations with limited connectivity. The data-rate readout helps verify whether a recorder, SD card, or interface can sustain the chosen format, while card-fit estimates show how quickly storage scales as format complexity increases.
Use the per-minute figure to estimate ADR or VO sessions with many short takes, or to budget live multitrack recordings that run for hours. If you like to capture both a safety recorder and a main recorder, double the output to cover both devices.